I am MADI Ahlam an English student in the second year at BTTC I just want you to join and share with me my own blog in which we will exchange information and enrich our knowledge .I hope to be under good opinion as hope was a light shade thank you .
Tuesday, June 5, 2012
Its over exams are finished.....??
Wednesday, April 18, 2012
I want......
Such as the bright star in space me i want to fllllllllllllly
My conscience is clear because i do not do but goodness
Trying to do my best without thinking about my weakness
I want to live free without restrictions without endness
Because i want to dicover everything surround by me
So that i am too curious and i do not fail anything..trust me
I walk with a good faith even if others did not believe me
I do not care others!!this is my motto of durable
If we work the views of others,life will become impossible
Who loves me must take me like i am and does not sympathize me
Because the sky is blue i think that the truth is endless
If i am not right one of you comes and tells me where is the wrong
Fortunately i have a confidense in myself and always right in my tongue
Something broke
I do not ask you who has failed or who has gaind
My sorrow goes on ...just in night pain forgets me
I am looking for forgetfullness in regret moments
For whom i complain the anguish of my heart who suffers injustice
It is difficult that the melody softens in the absence of the string
If it remains from you to me a bit hope
I will be patient and i bear that no one can bear
But you felt tired and i fear from eariness a lot
For me the blaim is so lighter and how sweater is hunger
If I can................
If i can me if i can ..forget you and live freelyyyyyyyyyyyyyyyyyy
If i can me ..restore the past of the forgotten game dayssssssssssss
I tell you i can !!but i cannot remove you from my heart tttttttttttt
Why i ,meet you today ..forget all..the world forget meeeeeeeeeeeee
Maybe neither your guilt nor mineeeeeeeeeeeeeeeeeeeeeeeeeeeeee
Maybe we are like a game, our story was written and folded uppppp
Your family have slept and kept us on the chair forgetfulyyyyyyyyy
They have taken sleep and left us for tomorrow awakeningggggggg
We blaimed each other , satisfied and were patientttttttttttttttttttt
We became old and returned young restored forgotten storiessssss
My girl is died
Wonderful story
Since i did he lived in my dream
When i saw him i felt strange feeling
I felt that i wanna stay with him sin thinking
I wanna fly when i was between his arms
I wanna cry when "goodbye" he says
We were meeting always in beautiful garden
All our dreams were building and were hiden
I never knew that these dreams go in the aire
If i knew that that's the end
Never i start and my heart to him never lend
I was blind and how i believe him from one sight
Maybe you were good actor and me wanted to fight
Your way made me tired since i knew you
I was foolish when my heart gave to you
I gave you something that many are dreaming of
But you lost it although just you can make it swich off
No matter if we were still alive
There is a bit hope that makes me live
Far from you but in my heart settle
If it's by my hand i will hide you in bottle
Your assimilation were done well
Congratulation you knew how to ring my bell
Believe me i loved you i love and still
I would die for you..me for you i can kill
If you know what i did for you....
Maybe your heart soften to me a few
All what you sad to me still in my memory
All what you did to me are written in my story
By one word i can be the happiest
only one gesture and i would be the best
Without you i am betterfly without wings
Without you its like ears without rings
Its not fair darling i am tree without birds
As i am heaven without colors
Before i know you my heart was sad
But when i met you in it i can't add
So come with me stay the life-time
Why you don't??itsn't a crime
Why you make me blaim
And only you..i want..so on you a shame.
Tuesday, May 3, 2011
Relative Babies
Friday, April 22, 2011
Am not!!!
Tuesday, February 22, 2011
"Difficult but wonderful"
Monday, February 21, 2011
Chapters"40-41-42-43":
Aunt Sally and Uncle Silas, rattled by the mysterious letter, send Tom and Huck to bed right after supper. Later that night, Huck sees that fifteen uneasy local farmers with guns have gathered in the front room of the house. Huck goes to the shed to warn Jim and Tom, but news of the armed men only excites Tom even more. Suddenly, the men attack the shed. In the darkness, Tom, Huck, and Jim escape through the hole they cut in the wall. Tom makes a noise going over the fence, attracting the attention of the men, who shoot at the boys and Jim as they run. They make it to their canoe and set off downstream toward the island where the raft is hidden. They delight in their success, especially Tom, who has a bullet in the leg as a souvenir. Huck and Jim are concerned about Tom’s wound, and Jim says they should get a doctor, since Tom would if the situation were reversed. Jim’s statement confirms Huck’s belief that Jim is “white inside.”
Leaving Jim and Tom on the island with the raft, Huck finds a doctor and sends him to Tom in the canoe, which only holds one person. The next morning, Huck runs into Silas, who takes him home. The place is filled with farmers and their wives, all discussing the bizarre contents of Jim’s shed and the hole. They conclude that a band of robbers of amazing skill must have tricked not only the Phelpses and their friends but also the original desperadoes who sent the letter. Sally refuses to let Huck out to find Tom (who she still thinks is Sid), since she is so sad to have lost Sid and does not want to risk another boy. Huck, touched by her concern, vows never to hurt her again.
Tom does not return, and Silas’s efforts to find him end in vain. In the meantime, a letter arrives from Aunt Polly, Sally’s sister. Sally casts the letter aside when she sees Tom, who she thinks is Sid. The boy is brought in semi-conscious on a mattress, accompanied by a crowd including Jim, in chains, and the doctor. Some of the local men would like to hang Jim but are unwilling to risk having to compensate Jim’s master. They treat Jim roughly and chain him hand and foot inside the shed. The doctor intervenes, telling the crowd how Jim has sacrificed his freedom to help nurse Tom.
Sally, meanwhile, stays at Tom’s bedside, glad that his condition has improved. Tom wakes and gleefully details how they set Jim free. Horrified to learn that Jim is now in chains, Tom explains that Miss Watson died two months ago and that her will stipulated that Jim should be set free. The old woman regretted ever having considered selling Jim down the river. Just then, Aunt Polly walks into the room. She has come to Arkansas from St. Petersburg after receiving a letter from Sally mentioning that Sid Sawyer—Tom’s alias—had arrived with “Tom”—who was actually Huck. Tom has been intercepting communications between the sisters, and Polly has been forced to appear in person to sort out the confusion. After a tearful reunion with Sally, she identifies Tom and Huck and yells at both boys for their misadventures.
"But I reckon I got to light out for the territory ahead of the rest, because Aunt Sally she’s going to adopt me and sivilize me, and I can’t stand it. I been there before"
The ending of Huckleberry Finn reveals Tom to be even more callous and manipulative than we realized. The bullet in Tom’s leg seems rather deserved when Tom reveals that he has known all along that Miss Watson has been dead for two months and that she freed Jim in her will. Tom’s confession reveals a new depth of cruelty: he treats blacks only a little better than slaveholders do, using Jim as a plaything to indulge in a great “adventure.” Tom’s claim that he meant to pay Jim for his troubles is surely of little consolation to anyone, and indeed, the very idea of making up for such callousness with money is deeply insulting. However, no one ever chastises Tom for his behavior. Instead, he turns the bullet—the symbol of the fine line between fun and foolishness—into a trophy, and he proposes to Huck that they go look for more adventures among the “Injuns,” another people ravaged and oppressed by whites.
At the end of the novel, Tom seems to be beyond reform, Huck opts out of society in his desire to go to Oklahoma, and the other adults are left in compromised positions. Jim is the only character who comes out of the mess looking like a respectable adult. By helping the doctor treat Tom and shielding Huck from seeing his father’s corpse, Jim yet again affirms that he is a decent human being. The Phelpses, although they immediately try to make amends for their previous treatment of Jim, still own slaves. Miss Watson, although she has done the right thing by freeing Jim, sullies her good intentions by making the action a provision of her will, something to be carried out in the future—at her death—rather than immediately. Aunt Sally smothers, Aunt Polly scolds, and everyone bumbles along. In the end, it is no wonder Huck wants to avoid further “sivilizing.”
Possibly the most troubling aspect of the novel’s close is the realization that all has been for naught. Jim has, technically, been a free man almost the entire time. All of Huck’s moral crises, all the lies he has told, all the societal conventions he has broken, have been part of a great game. In a way, the knowledge of Jim’s emancipation erases the novel that has come before it. Ultimately, we are left questioning the meaning of what we have read: perhaps Twain means the novel as a reminder that life is ultimately a matter of imperfect information and ambiguous situations, and that the best one can do is to follow one’s head and heart. Perhaps Twain, finishing this novel twenty years after the Civil War concluded and slaves were freed, means also to say that black Americans may be free in a technical sense, but that they remain chained by a society that refuses to acknowledge their rightful and equal standing as individuals. In a sense, perhaps Tom’s mistreatment of Jim is actually a boon, for it leads the other characters in the novel to acknowledge Jim as a worthy human being. In the end, Huckleberry Finn moves beyond questions of slavery, to broader questions of morality and race. Unfortunately, these questions seldom have straightforward answers, and thus the ending of the novel contains as many new problems as solutions.
36-37-38-39
Late that night, Tom and Huck, after much fruitless effort, give up digging with the knives and switch to pick-axes instead. The next day, they gather candlesticks, spoons, and tin plates. Tom says that Jim can etch a declaration of his captivity on the tin plate using the other objects, then throw it out the window for the world to read, just like in Tom’s novels. That night, the boys dig their way to Jim, who is delighted to see them. He tells them that Sally and Silas have been to visit and pray with him. Jim does not understand the boys’ fancy scheme but agrees to go along. Tom convinces Jim’s keeper, Nat, who believes witches are haunting him, that the only cure is to bake a “witch pie” and give it to Jim. Tom plans to bake a rope ladder into the pie.
Aunt Sally notices the missing shirt, candles, sheets, and other articles Huck and Tom steal for their plan, and she takes out her anger at the disappearances on seemingly everyone except the boys. She believes that perhaps rats have stolen some of the items, so Huck and Tom secretly plug up the ratholes in the house, confounding Uncle Silas when he goes to do the same job. By removing and then replacing sheets and spoons, the boys confuse Sally so much that she loses track of how many she has. The baking of the “witch pie” is a trying task, but the boys finally finish it and send it to Jim.
Tom insists that Jim scratch an inscription bearing his coat of arms on the wall of the shed, the way the books say. Making pens from the spoons and candlestick is a great deal of trouble, but they manage. Tom creates an unintentionally humorous coat of arms and composes a set of mournful declarations for Jim to inscribe on the wall. Tom, however, expresses disapproval at the fact that they are writing on a wall made of wood rather than stone. The boys try to steal a millstone, but it proves too heavy for them, so they sneak Jim out to help. As Huck and Jim struggle with the millstone, Huck wryly notes that Tom has a talent for supervising while others do the work. Tom tries to get Jim to take a rattlesnake or rat into the shack to tame, and then tries to convince Jim to grow a flower to water with his tears. Jim protests against the unnecessary amount of trouble Tom wants to create, but Tom replies that his ideas present opportunities for greatness.
Huck and Tom capture rats and snakes to put in the shed with the captive Jim and accidentally infest the Phelps house with them. Aunt Sally falls into a panic over the disorder in her household, while Jim hardly has room to move with all the wildlife in his shed. Uncle Silas, not having heard back from the plantation from which the leaflet said Jim ran away, plans to advertise Jim as a captured runaway in the New Orleans and St. Louis newspapers—the latter of which would surely reach Miss Watson in St. Petersburg. Tom, partly to thwart Silas and partly because the books he has read say to do so, puts the last part of his plan into action, writing letters from an “unknown friend” that warn of trouble to the Phelpses. The letters terrify the family. Tom finishes with a longer letter pretending to be from a member of a band of desperate gangsters who are planning to steal Jim. The letter’s purported author claims to have found religion, so he wishes to offer information to help thwart the theft. The letter goes on to detail when and how the imaginary thieves will try to seize Jim.
Chapter"35":
Chapters"32-33-34":
With only trust in providence to help him free his friend, Huck finds the Phelps’s house, where Jim is supposedly being held. A pack of hounds threatens Huck, but a slave woman calls them off. The white mistress of the house, Sally, comes outside, delighted to see Huck because she is certain he is her nephew, Tom. Sally asks why he has been delayed the last several days. Taking the opportunity to conceal his identity by pretending to be her nephew, Huck explains that a cylinder head on the steamboat blew out. When Sally asks whether anyone was hurt in the explosion, Huck says no, a “nigger” was killed. Sally expresses relief that the explosion was so “lucky.”
Huck is not sure he will be able to keep up the charade as Tom. When Sally’s husband, Silas, returns, however his enthusiastic greeting reveals to Huck that Sally and Silas are the aunt and uncle of none other than Tom Sawyer, Huck’s best friend. Hearing a steamboat go up the river, Huck heads out to the docks, supposedly to get his luggage but really to inform Tom of the situation should he arrive.
Huck meets Tom’s wagon coming down the road. Tom is at first startled by the “ghost,” believing that Huck was murdered back in St. Petersburg, but is eventually convinced that Huck is actually alive. Tom even agrees to help Huck free Jim. Huck is shocked by Tom’s willingness to do something so wrong by society’s standards: “Tom Sawyer fell considerable in my estimation,” he tells us.
Tom follows Huck to the Phelps house a half-hour later. The isolated family is thrilled to have another guest. Tom introduces himself as William Thompson from Ohio, stopping on his way to visit his uncle nearby. The lively Tom leans over and kisses his aunt in the middle of dinner, and she nearly slaps the boy she thinks is an impolite stranger. Laughing, Tom pretends that he is his own half-brother, Sid. The two boys wait for Sally and Silas to mention the runaway slave supposedly being held on their property, but the adults say nothing. However, when one of Sally and Silas’s boys asks to see the show that is passing through town—the duke and the dauphin’s—Silas says that “the runaway” alerted him to the fact that the show was a con.
That night, Huck and Tom sneak out of the house. As they walk on the road, they see a mob of townspeople running the duke and the dauphin, tarred and feathered, out of town on a rail. Huck feels bad for the two, and his ill feelings toward them melt away. “Human beings can be awful cruel to one another,” he observes. Huck concludes that a conscience is useless because it makes you feel bad no matter what you do. Tom agrees.
Tom told me what his plan was, and I see in a minute it was worth fifteen of mine for style, and would make Jim just as free a man as mine would, and maybe get us all killed besides.
Chapters "29-30"
The real Harvey Wilks, in an authentic English accent, explains the reasons he and his brother, William, were delayed: their luggage was misdirected, and his mute brother broke his arm, leaving him unable to communicate by signs. Doctor Robinson again declares the duke and the dauphin to be frauds and has the crowd bring the real and the fraudulent Wilks brothers to a tavern for examination. The frauds draw suspicion when they fail to produce the $6,000 from the Wilks inheritance.
A lawyer friend of the deceased then asks the duke, the dauphin, and the real Harvey to sign a piece of paper. When the lawyer compares the writing samples to letters he has from the real Harvey, the frauds are exposed. The dauphin, however, refuses to give up and claims that the duke is playing a joke on everyone by disguising his handwriting. Because the real William serves as scribe for the real Harvey and cannot write due to his broken arm, the crowd cannot prove that the real Wilkses are indeed who they say they are. To put an end to the situation, the real Harvey declares he knows of a tattoo on his brother’s chest, asking the undertaker who dressed the body to back him up. But after the dauphin and Harvey each offer a different version of the tattoo’s appearance, the undertaker surprises everyone by telling the crowd he saw no tattoo.
The mob cries out for the blood of all four men, but the lawyer instead sends them out to exhume the body and check for the tattoo themselves. The mob carries the four Wilks claimants and Huck with them. The mob is in an uproar when the $6,000 in gold is discovered in the coffin. In the excitement, Huck escapes. Passing the Wilks house, he notices a light in the upstairs window and thinks of Mary Jane. Huck steals a canoe and makes his way to the raft, and he and Jim shove off once again. Huck dances for joy on the raft. His heart sinks, however, when the duke and the dauphin approach in a boat.
The dauphin nearly strangles Huck out of anger at his desertion, but the duke stops him. The con men explain that they escaped after the gold was found. The duke and the dauphin each believe that the other hid the gold in the coffin to retrieve it later, without the other knowing. They nearly come to blows but eventually make up and go to sleep.
Chapters "26-27-28":
The dauphin arranges to stay in the Wilks house. Huck has supper with Joanna, the youngest Wilks sister, whom he calls “the hare-lip” because of her cleft lip, a birth defect. Joanna tests Huck’s knowledge of England, and he makes several slips, forgetting that he is supposedly from Sheffield and that the dauphin is supposed to be a Protestant minister. Finally, Joanna asks if he has made the entire thing up. Joanna’s sisters, Mary Jane and Susan, interrupt and instruct Joanna to be courteous to their guest, and she graciously apologizes. Huck feels terrible about letting such sweet women be swindled and resolves to get them their money back. He goes to the con men’s room to search for the money and hides when they enter. The duke wants to leave town that night, but the dauphin convinces him to stay until they have stolen all the family’s property. After the men leave the room, Huck finds the $6,000 in gold, takes it to his sleeping cubby, and then sneaks out late at night.
Huck hides the sack of money in Peter Wilks’s coffin as Mary Jane, crying, enters the front room where her dead father’s body lies. Huck, who doesn’t get another opportunity to remove the money safely, worries about what will happen to it. The next day, a dog barking in the cellar disrupts the funeral. The undertaker slips out and returns after a “whack” is heard from downstairs. In a voice that everyone present can hear, he whispers that the dog has caught a rat. In the next moment, though, Huck watches with horror as the undertaker seals the coffin without looking inside. Huck realizes he will never know whether the duke and the dauphin have gotten the money back. He wonders if he should write to Mary Jane after he has left town to tell her to have the coffin dug up.
Saying he will take the Wilks girls to England, the dauphin sells off the estate and the slaves, sending a slave mother to New Orleans and her two sons to Memphis. The scene at the grief-stricken family’s separation is heart-rending, and the Wilks women are upset. Huck comforts himself with the knowledge that the slave family will be reunited in a week or so when the duke and the dauphin are exposed. When the con men question Huck about the missing money, he manages to make them think the Wilks family slaves were responsible for the disappearance.
The next morning, Huck finds Mary Jane crying in her bedroom. All her joy about the trip to England has given way to distress over the separation of the slave family. Touched, Huck unthinkingly blurts out that the family will be reunited in less than two weeks. Mary Jane, overjoyed, asks Huck to explain. Huck feels uneasy, for he has little experience telling the truth while in a predicament. He tells Mary Jane the truth but asks her to wait at a friend’s house until later that night in order to give him time to get away, because the fate of another person (Jim) also hangs in the balance. Huck instructs Mary Jane to leave without seeing her “uncles,” for her innocent face would give away their secret. Huck leaves her a note with the location of the money. She promises to remember him forever and to pray for him. In retrospect, Huck tells us that he has never seen Mary Jane since but that he thinks of her often.
Shortly after Mary Jane leaves the house, Huck encounters Susan and Joanna and tells them that their sister has gone to see a sick friend. Joanna cross-examines him about this, but he manages to trick them into staying quiet about the whole thing. Later that day, a mob interrupts the auction of the family’s possessions. Among the mob are two men who claim to be the real Harvey and William Wilks.
Chapter"25":
Chapter"24":
As the duke and the dauphin tie up the raft to work over another town, Jim complains about having to wait, frightened, in the boat, tied up as a runaway slave in order to avoid suspicion, while the others are gone. In response, the duke disguises Jim in a calico stage robe and blue face paint and posts a sign on him that reads, “Sick Arab—but harmless when not out of his head.” The dauphin, dressed up in his newly bought clothes, decides he wants to make a big entrance into the next town, so he and Huck board a steamboat docked several miles above the town.
The dauphin encounters a talkative young man who tells him about a recently deceased local man, Peter Wilks. Wilks had recently sent for his two brothers from Sheffield, England—Harvey, whom Peter had not seen since they were boys, and William, who is deaf and mute. Wilks left much of his property to these brothers when he died, but it seems uncertain whether they will ever arrive. The dauphin wheedles the young traveler, who is en route to South America, to provide him with details concerning the Wilks family.
Arriving in Wilks’s hometown, the duke and the dauphin ask for Wilks and feign anguish when told of his death. The dauphin even makes strange hand gestures to the duke, feigning sign language. The scene is enough to make Huck “ashamed of the human race.”
Chapter"23":
The Royal Nonesuch plays to a capacity audience. The dauphin, who appears onstage wearing nothing aside from body paint and some “wild” accoutrements, has the audience howling with laughter. But the crowd nearly attacks the duke and the dauphin when they end the show after only a brief performance. The people in the crowd, embarrassed at having been ripped off, decide to protect their honor by making certain that everyone in the town gets ripped off. After the performance, they tell everyone else in town that the play was wonderful. The second night, therefore, also brings a capacity crowd.
As the duke has anticipated, the crowd on the third night consists of the two previous nights’ audiences coming to get their revenge. Huck and the duke make a getaway to the raft before the show starts. They have earned $465 over the three-night run. Jim is shocked that the royals are such “rapscallions.” Huck explains that history shows nobles to be rapscallions who constantly lie, steal, and decapitate, but his history knowledge is factually very questionable.
Huck does not see the point in telling Jim that the duke and the dauphin are fakes. Jim spends his night watches “moaning and mourning” for his wife and two children. Though “it don’t seem natural,” Huck concludes that Jim loves his family as much as white men love theirs. Jim is torn apart when he hears a thud in the distance that reminds him of the time he beat his daughter Lizabeth for not doing what he told her to do. When he was beating her, Jim didn’t realize that Lizabeth couldn’t hear his instructions because a bout with scarlet fever had left her deaf.
Chapter "22":
Although these chapters involving the duke and the dauphin appear purely comic on the surface, a dark commentary undercuts the comedy in virtually every episode. On the surface, the duke and the dauphin seem to be just two bumbling con artists, but they present an immediate threat to Huck and Jim. The two men constantly and cruelly toy with Jim’s precarious status as a runaway slave and even use this fact to their own advantage when they print the fake leaflet advertising a reward for Jim’s capture. Moreover, the fact that the duke and the dauphin run their first scam at a sacred event—a religious meeting—demonstrates their incredible malice. At the same time, however, it also suggests that the religious revival meeting may be as much of a scam as any of the “royal” pair’s shenanigans. Continuing the pattern that we have seen throughout Huckleberry Finn, nearly everyone Huck and Jim encounter on the river is an unsavory character or a fake in one way or another.
Sherburn’s murder of the drunk and the subsequent mob scene continue this vein of simultaneous absurdity and seriousness in the novel and contribute to the sense of moral confusion in the town. Although Sherburn’s shooting of the drunk is cold-blooded, his speech to the angry mob is among the most profound meditations on human nature in Huckleberry Finn. Sherburn’s criticisms of the cowardice and despicable behavior of his fellow citizens are accurate, and his eloquence is impressive. Furthermore, much of what he has to say about cowardice relates directly to the deplorable behavior of the people of St. Petersburg, which has put Huck and Jim in peril in the first place. All the while, however, we are aware that this thoughtful speech comes from the mouth of a man who has just shot a defenseless drunk. Like Huck, we are confused and disoriented.
Rather than provide some relief from this world of malice and chaos, Huck’s leisurely trip to the circus only complicates matters further. Coming between the religious revival and the con men’s performance, the circus illustrates just how fine the line is between spiritually enriching experience, legitimate entertainment, and downright fraud. Huck’s concern for the seemingly drunk horseman is an elegantly constructed ending to this set of chapters. In a world like the one Twain depicts in the novel, one can no longer distinguish between reality and fakery, doom and deliverance.